During filming of the blockbuster Clash of the Titans, the eclipse was used to capture stable images, traveling at speeds of up to 70kts, while attached to a Long Line.
"The XR was a treat to work with. No matter how challenging the environment was, we were never afraid to push in on the zoom. The XR made the entire zoom range usable, even at 274mm at the long end of the 11:1."
Chris Hayes, Camera Operator
Wild Hogs
Pictorvision is a world leading supplier of stabilized camera systems to the broadcast, entertainment and commercial sectors.
Pictorvision is the first and only aerial camera stabilization rental company to provide customers with an entire suite of aerial product solutions for capturing aerial images. No other company has the combined experience, expertise, professionalism, and product choice that we provide – making us a leader in delivering motion management solutions.
Our systems include the eclipse, Wescam and Cineflex mounts. This product suite covers the entire range of output options, allowing us to match the right system to any job and budget.
Pictorvision’s engineering team is the same one that brought technical generations of Wescam products that the industry has relied on for over 35 years. This same team continues to advance stabilization technology with our patented XR Motion Management Technology, featured in Pictorvision’s newest product – the eclipse.
We invite you to discover the Pictorvision difference – Stable Products, Stable People.
Pictorvision President Tom Hallman was interviewed by ProductionHubTV at the 2010 CineGear Expo. CLICK HERE to watch the interview and find out the latest about Pictorvision.
Second unit DP Larry J. Blanford is always excited when he can get to do aerial work himself. In the case of 20th Century Fox’s feature version of the 1980s television series “The A-Team”, he says he was even more excited because he really got to put Pictorvision’s newest aerial camera stabilizing system, the Eclipse through its paces. CLICK HERE to learn more…
Second unit DP Larry J. Blanford is always excited when he can get to do aerial work himself. In the case of 20th Century Fox’s feature version of the 1980s television series “The A-Team”, he says he was even more excited because he really got to put Pictorvision’s newest aerial camera stabilizing system, the Eclipse through its paces.